Digital Creativity - download pdf or read online

By Owen Kelly

ISBN-10: 090331973X

ISBN-13: 9780903319737

In 3 components, this article offers: a short history of the electronic revolution; an exam of the way electronic know-how is now getting used within the arts; and an outline of a few attainable conseqences and advancements of this paintings.

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The effect of this would be that readers who, for example, wanted to know more about HyperTalk itself, could click on the italicised word to take them to another card, whereas those readers who already knew, or didn’t want to know, could read on without having their flow of concentration interrupted. Moreover, this process of layering information can be as many layers deep as necessary. Footnotes can themselves lead to further footnotes, so that the user may follow an information trail like a fly crawling on a cat’s cradle.

The system works on a similar principle to the sonar that is used in submarines for measuring depth. It consists of a number of transceivers, which can both send and receive ultrasonic pulses up to a distance of seven metres. The pulses operate as a cone: that is, the further a pulse is from the transceiver that sent it the wider the beam. 56 Footprints in the sand Each beam can be assigned up to seven different responses which are triggered by interrupting the beam, and causing it to be deflected back to the transceiver.

Running around the space will cause sounds very different from those made by a slow deliberate movement – just as hammering the keys of a piano will produce a different sound to gently stroking them. Moreover, the space can be divided into zones, each of which will trigger different sounds – which may be musical notes, unpitched noises or speech. The space will react to all movements within it, and so a group of people will create a different effect to a soloist. If movement within a space creates sounds, and those sounds are patterned harmonically, then is the participant a dancer or a musician?

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Digital Creativity by Owen Kelly


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