By Shakespeare, William; Haffenden, John; Berryman, John
Edited via John Haffenden
With a Preface via Robert Giroux
John Berryman, considered one of America's so much proficient glossy poets, used to be winner of the Pulitzer Prize for 77 Dream Songs and the nationwide booklet Award for His Toy, His Dream, His Rest. He received a name as an innovator whose daring literary adventures have been tempered by means of exacting self-discipline. Berryman was once additionally an energetic, prolific, and perceptive critic whose personal event as a big poet served to his virtue.
Berryman was once a protégé of Mark Van Doren, the good Shakespearean student, and the Bard's paintings remained one in all his so much abiding passions--he might dedicate an entire life to writing approximately it. His voluminous writings at the topic have now been accumulated and edited through John Haffenden.
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Extra resources for Berryman's Shakespeare : [essays, letters, and other writings]
And so on thro Chaucer, Spenser, the Ballads, making notes on how each was to be treated, till he came to 5, when all he wrote down was this: 5. Shakespeare!!! ALMIGHTY! B. Although Berryman did not manage to bring to a completion his large critical and biographical work on Shakespeare, I became convinced many years ago—judging from the high degree of originality of his writings, as well as their substantial scholarship and their communicative zest for the subject—that his papers should be brought together in a permanent form.
I. Duthie was about to publish a fresh critical edition of the play—which eventually appeared from Basil Blackwell, Oxford, after a further three years. ” The poetry would always come first, and rightly so. In 1951, while working at Princeton University, he delivered the Hodder Lectures on Shakespeare; the following year, he elaborated that series in the form of the Elliston Lectures at the University of Cincinnati. ) He also gave a first version of a lecture later published as “Shakespeare’s Last Word” (which is also reprinted in this volume).
In 1960 G. I. Duthie was to record John Dover Wilson’s undeveloped, and promptly rejected, conjecture that Shakespeare’s elusive term might have been “pearly”—meaning “with cataracts, cf. Gent. 13. ” The “flax and whites of eggs” applied to Gloucester’s eyes might give, at first glance, precisely such an appearance. Shakespeare has the word himself in Two Gentlemen (unrecognized by Schmidt & Onions but known to Wilson): [Proteus] Blacke men are Pearles, in beauteous Ladies eyes. 11) Pearly I take as analogous to “gouty” (Troilus, Timon), meaning “afflicted with a pearl”; and the combination one of Shakespeare’s sixteen with “-eyed,” similar to “gouty-legg’d” (which occurs, as a matter of fact, in Cotgrave).
Berryman's Shakespeare : [essays, letters, and other writings] by Shakespeare, William; Haffenden, John; Berryman, John